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Production Storyboards
SCENE: 20-21 DESCRIPTION/DIALOGUE: Weldon looks in his rear view mirror and sees Monroe's car approaching at a rapid speed. MUSIC UP. C.U. of Weldon's eyes flaring in anger. Monroe is pounding his steering wheel he is so mad as he rips up behind Weldon's truck. Weldon steps on his brakes and nearly causes a wreck. Monroe honks loudly, flashing his lights and tails Weldon again. Monroe attempts to pass, but Weldon pulls into the middle of the lane and blocks him. Weldon slows to a crawl. Monroe revs his car and tries to outmaneuver Weldon's truck pulling up quickly along side him. Weldon swerves and bumps into monroe's car. They both start screaming at each other as they accelerate around a curve into a canyon. Right in front of them a truck is blocking both lanes. A TRUCK DRIVER is attempting to light flares. Monroe and Weldon speed around the curve of the canyon, unaware of the truck. They both overreact when they see it, screaming and swerving to try to avoid it. Both vehicles race at top speed over the edge of the canyon. MUSIC DOWN. MATERIALS/LOCATION:
SCENE: 64 DESCRIPTION/DIALOGUE: JACK: What the hell
is he doing? MATERIALS/LOCATION:
NOTES: Sam's dancing on
green screen to be coordinated with pow-wow audience for mid-air flips.
SCENE 83 DESCRIPTION/DIALOGUE Before they can
do anything, they hit a rocky patch and Angela is bounced up in the air
and lands half on and half off the raft: She manages to grab hold of a
strap attached to the side of the raft. MATERIALS/LOCATION:
NOTES: River Raft to be filmed with Weldon and Monroe visible and then without them for cross-cutting.
SCENE: 91 DESCRIPTION/DIALOGUE: The group enters a large, indoor cavernous room. Petroglyphs are abundant on the walls. Sam shines an oil lantern across them. They are beautiful. The group gasps. Jack motions for the Cameraman to keep filming. DISSOLVE in and out of specific petroglyphs as Sam speaks. CUTAWAYS to reveal the group listening. SAM: (O.S) Our Elders left us these precious carvings as a way of reminding them, and us of our origins. In their last days, old Father and Mother Kauite retreated to these caves to escape the sorrow of their people. (He shines the light across images) You see they had two sons. The eldest son was most like his Father in learning the old ways and traditions of his people, The youngest son saw a new and changing world before him. The sons began to feud, and families took sides. The hearts of our first parents were broken and because the two sons refused to make peace, we were given the name of Kauites, which in our tongue means "sad division". To this day, the Kaiute nations are bitterly divided. MATERIALS/LOCATION:
NOTES: Rock petroglyphs can be shot in a studio against fabricated stone, or on-site within caverns.
SCENE: 111 DESCRIPTION/DIALOGUE: ANNOUNCER: (O.S.)
8.8 seconds! Top ride of the day! NOTES: Staging the rodeo for the film may occur in several rodeo arenas in northern AZ. |
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